Style originality of Oles Ulianenko's literary works

Based on hermeneutic and body-mimetic methods, the article makes an attempt to clarify verify content of stylistic originality Oles Ulianenko’s literary works, one most talented controversial modern Ukrainian writers. It is determined that concept «style» can be characterized as a phenomenon neither exists by itself nor equal itself, therefore it always about certain interaction artist with era, well text, also, text – reader, reader artist, etc. In such context, anthropologizing becomes quite obvious, which almost perfectly fits into principles method analyze artistic works. noted plot basis majority artist's works numerous deaths characters, are frequently not only victims violence or tragic circumstances, but at same time also cause death others. connection everything mentioned above, conclusions have been drawn, according which, firstly, for Ulianenko, style desperately persistent understand something basically impossible understand. Secondly, this acquires considerable weight, because is, default, extremely productive, its productivity actually based unreachability infinity, alone capable denying finiteness strange creature, namely man, whose mysterious fate has haunted literature ages. Thirdly, means style, sets task providing «spiritualization sensuality», «called love», «constitutes great triumph», since «the second triumph our spiritualization enmity» (J. Derrida). On other hand, Ulianenko defined postmodern type, due double coding inherent in perceived either example mass culture aimed naturalistic depiction corporal social horrors ethical preaching warnings against threats temptation, debauchery, immorality, sample deep intellectual philosophical prose, exclusively through corporal-spiritual articulation tries overcome contradictions fundamentally overcome, besides, reach truth cannot reached anyone under no circumstances.